The association between Somerville Manning Gallery and N.C. Wyeth paintings began when the gallery represented N.C.Wyeth's estate in the early 1980's for Carolyn Wyeth, his middle daughter. A close friendship developed that involved many hours of listening to family stories and confidences, along which came a keen knowledge and appreciation for the paintings and the creative genius of N.C. Wyeth.

Somerville Manning Gallery expanded this original association with the estate to include a comprehensive knowledge of the artist's oeuvre, resulting in the building of major collections of N.C. Wyeth and illustration paintings for private collectors. Somerville Manning Gallery has mounted several exhibitions surrounding N.C. Wyeth and illustration including The Golden Age of Illustration, Howard Pyle and His Students, N.C. Wyeth, and the most recent exhibition, Pyle and Wyeth.

The following is an excerpt from a scholarly work entitled Visions of Adventure, a forthcoming book co-authored by Vickie Manning and Sadie Somerville, and heavily dominated by the works of N.C. Wyeth, about the adventure theme during the "golden age of illustration".

Newel Convers Wyeth was born, October 22, 1882, in Needham, Massachusetts and with his mother's encouragement he attended several art schools in Boston before being accepted in Howard Pyle's School of Illustration in Delaware in 1902. It was after only a year and a half of Pyle's teachings that N.C. Wyeth's illustrations were already appearing in national magazines such as Collier's, Harpers, Scribners and others. With funding from publishers, Wyeth ventured West in September 1904 to explore and absorb the great American frontier. His disciplined observation, imagination and vivid recall of that time provided him with years of material to fulfill the reading public's thirst to experience the West, which cemented his reputation as a respected illustrator.

In 1906 after completing his second trip West, N.C. returned to Wilmington and married Carolyn Bockius whom he met two years earlier. With marriage, his attention turned to the pastoral Chadds Ford countryside, a few miles from Wilmington, where he purchased a home and raised his family. The rolling hills, growing fields, and gentle brooks captivated his imagination. This softer landscape in contrast to the rugged West appears as the backdrop for many of his subsequent illustrations and easel paintings.

While still working near Pyle, Wyeth increasingly developed his own style and reputation. Because his illustrations were in such demand, he was able to command top prices and select the work of his choosing. He already felt the need to grow beyond conventional illustration by painting more from his soul.

N.C. Wyeth had an acutely developed ability to feel and experience every sense fully and share the power of these sensations in his work. He gained inspiration from examining the details of nature to evoke a specific emotion. For example, a sprig of spruce tree sent from his grandfather's farm suggested his home, childhood, and mother. He often highlighted such familiar details in his work seeking to trigger emotional responses beneath the narrative of the story.

In 1911 Wyeth began illustrating his first Scribner's Classic, Treasure Island, that subsequently launched a relationship between publisher and painter that continued until the completion of The Yearling in 1939. Besides the aforementioned, this famous series also includes Kidnapped, Robin Hood, and The Last of the Mohicans, among others. Although he painted thousands of illustrations for other books, magazines, and short stories, this often repeated series embodies his most famous work.

Because N.C. Wyeth continuously strove to create a work beyond the confines of his assignment, he was enormously successful as a master illustrator until his tragic death in 1945.

—Victoria L. Manning
Excerpts from Visions of Adventure

© N.C.Wyeth. All Rights Reserved.
The Horse Fell With His Rider to the Bottom of the Cliff
[40" x 30" oil on canvas]

 

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